
Through their work, Komar and Melamid strike at the deepest roots of Western cultural tradition. Melamid once described the concept for the project in the following manner:
In a way it was a traditional idea, because a faith in numbers is fundamental to people…Numbers are innocent. It’s absolutely try data. It doesn’t say anything about personalities, but it says something more about ideals, and about how this world functions. That’s really the truth, as much as we can get to the truth. Truth is a number (Govan).
By painting exactly what America wants to see, Komar and Melamid create a simple blue landscape with a lake, George Washington, a few young children, and playing looking deer. This perception of nature has left nature entirely in the dust by the Most Wanted series. The main connection with nature that can be found is that Americans chose nature as their desired setting for the simple painting. Once again, the society in which the work of art was created dictates the presentation of nature.
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